Nimino Blends House and Garage Vibes at Lollapalooza with Mesmerizing Visual Set
CHICAGO — British producer Nimino brought a serene yet energizing wave of house and garage music to Lollapalooza 2025, transforming Perry’s Stage into a colorful, immersive escape on the final day of the festival.
While Lollapalooza is known for its high-energy EDM showcases at Perry’s Stage, Nimino’s performance broke tradition. A video of an anime-style cartoon bike ride greeted fans, replacing the chaotic lighting typical of the venue with a peaceful overture. As Nimino’s name flashed across the screen, the crowd cheered, clearly ready for a new kind of experience.
A Visually Immersive House Set
Throughout the set, Nimino matched every beat with stunning visuals, crafting an audiovisual journey that kept the crowd captivated. Each track had its own accompanying video that aligned seamlessly with the rhythm and tone of the music — from neon squiggles to scenes of forests changing seasons and lyric animations that brought songs to life.
A standout moment came during the original track “Shaking Things Up”, where blooming flowers and lush animated nature scenes flowed across the screens. The synced-on-screen lyrics helped even new listeners connect with the performance.
Classics With a Twist, and Crowd Favorites
As the set progressed, Nimino infused familiar pop and hip-hop hits with his own chilled, electronic style. Tracks like:
- “N95” by Kendrick Lamar
- “Pump It” by Black Eyed Peas
- “How Deep Is Your Love” by Calvin Harris
- “Wannabe” by Spice Girls
got the audience singing and swaying, proving that Nimino’s style could bridge underground house and mainstream energy without losing authenticity.
His breakout hit “I Only Smoke When I Drink” got one of the loudest reactions. Much of the crowd already knew the lyrics, while animated on-screen words guided newcomers.
Quiet Presence, Loud Impact
Nimino may have been quiet on the mic, but his production spoke volumes. The balance of laid-back beats, visual storytelling, and a few well-placed bangers created a vibe unlike anything else that day at Lolla. One fan suggested the set might have worked even better at night — but even in daylight, the atmosphere was undeniably magnetic.
Nimino’s Lollapalooza debut proved that you don’t need volume to make a big impression — just vision, rhythm, and a crowd ready to ride the wave.
What did you think of Nimino’s house-forward Lolla set? Drop your favorite moment in the comments at ChicagoMusicGuide.com!