Alabama Shakes Return With First Album in 11 Years After a Druid City Brewing Reunion Sparked New Songs, a Tour, and the Band’s Renewed Creative Spark

Brittany Howard and Alabama Shakes reunited for a new album and North American tour

NEW YORK, NY — Alabama Shakes are back with their first album in 11 years, and the reunion that helped revive the band started with a message from a Tuscaloosa brewery co-founder. What followed was a slower, more deliberate rebuilding of the group’s connection, one that brought Brittany Howard together again with her former bandmates and reopened the door to new music.

The new release, I Just Killed a Dream, arrives as the band says it is feeling more focused and more open than it did before the breakup. Howard says the experience of making the record felt “pretty nice,” because it gave the group room to test ideas, revisit its chemistry, and decide whether there was still something worth saying together.

A brewery invitation helped reopen the door

The reunion began when Bo Hicks, co-founder of Druid City Brewing Co. in Tuscaloosa, Ala., contacted Howard after her second solo album, 2024’s What Now. He asked whether she might come perform to help the brewery’s bottom line and support a local food pantry along the way.

Howard said yes, but the performance became about more than a one-night appearance. She reached out to former Alabama Shakes bandmates Heath Fogg and Zac Cockrell to see whether they wanted to get back together and rehearse some songs. That decision turned the brewery gig into the first step toward a wider reunion, with the musicians rediscovering what still worked between them.

Howard said that once they started playing again, the chemistry felt natural. She described the session as a moment when the band could simply see whether it still wanted to do this, and the answer came back quickly enough to encourage more than one-off nostalgia.

From one show to a full recording project

After the brewery performance, the band kept going. Howard said the members did not immediately jump into a full album, but the possibility kept growing as they spent more time together and felt out the relationship again.

Eventually, the reunion expanded into a complete project with eight songs finished in reach. Howard said the band had also written and demoed other material, but the album needed only those eight tracks because everything fit within the time available and the songs held together on their own.

She said the process felt a little miraculous because everyone involved had grown older, become gentler, and developed a stronger sense of sensitivity. That shift, in her view, changed how the band worked and made the collaboration feel fresher than before.

Howard says the songs carry love, resistance, and hope

The album includes a range of moods, from political frustration to romantic reflection. One of the highlights is “I Feel a Change Comin’,” described as an unabashed political song with a whistle of target_blank style energy and a mix of love-song warmth and social observation.

Howard said she approached the record differently from earlier work because she found it easier to say things she once might have left unsaid. She also said the band’s growth showed up in the music, which now feels more centered, more patient, and more interested in balance than in proving a point.

Another standout is “Garden,” which draws on Howard’s love of the natural world. She connected the song to the idea that love, like a garden, needs work and care to survive, and she framed that idea as a simple lesson the band wanted to express clearly.

Why the band says the comeback felt necessary

Howard said the reunion mattered because she and her bandmates needed time away from each other to understand how much the group still meant. In her telling, the break gave everyone enough distance to realize the old patterns were not the whole story.

She said the band has learned to trust each other more, and that trust is part of what made the new album possible. Instead of chasing perfection or rushing through the process, Alabama Shakes focused on making choices that felt honest and emotionally grounded.

Howard also suggested that the band had become better listeners. That matters to her because the music now reflects more than just volume or intensity; it shows a stronger sense of restraint, connection, and shared purpose.

A North American tour and a new chapter for fans

Alabama Shakes are now on a North American tour that will take them from Tanglewood to Radio City Music Hall and the Santa Barbara Bowl to the Ohana Festival. For fans, the run gives the band a chance to translate the reunion into a live setting and see how these new songs land outside the studio.

Howard said the comeback has been emotional in a good way, especially because the band can now share its work with listeners again. She described the experience as proof that the group can still build something meaningful together, and that the long gap between albums may have made the return even more powerful.

For a band that once seemed finished, the new album suggests a different ending is possible. Alabama Shakes are not just revisiting the past; they are turning it into something that feels current, intimate, and newly alive.

Chicago's music scene, one story at a time — Chicago Music Guide.

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